A whitewashed chapel rests on a sunlit hillside, framed by rows of olive trees climbing the slope in warm greens and chalky whites. Thick, visible brushstrokes build the walls, foliage and light with rich impasto texture, so the surface seems to hold the warmth of the afternoon. The colour continues past the edges of the canvas, giving the scene an open, unhurried calm that suits a quiet room, a hallway or a contemplative corner.